Showing posts with label creative commons. Show all posts
Showing posts with label creative commons. Show all posts

Monday, November 21, 2011

Hour long, but really good

This is kind of a follow up to the Zizek piece from the Guardian below. What can be done to reform the Republic for which it stands. This video is an hour or so, and you should watch it.

youtube.com - In an era when special interests funnel huge amounts of money into our government-driven by shifts in campaign-finance rules and brought to new levels by the Supreme Court in Citizens United v. Federal...

Thursday, October 27, 2011

Michael Geist on Canada's National Digital Strategy

Canada's National Digital Strategy: Hidden in Plain Sight

Earlier this month, I had the pleasure of delivering a keynote address at the Cybera Summit in Banff, Alberta. The conference focused on a wide range of cutting edge technology and network issues. My opening keynote discussed Canada digital economy legal strategy. While the formal digital strategy has yet to be revealed, I argued that the digital economy legal strategy is largely set with legislative plans touching on lawful access, privacy, online marketing, and copyright.

youtube.com - 2011 Cybera Summit introductory keynote by Michael Geist, Law Professor and Canada Research Chair in Internet and E-commerce Law at the University of Ottawa.

Thursday, December 10, 2009

Weblit-tle Town of Festivity, lend me your voice!

Hey!

Okay, look back to the start of November if you want the back story, but in a nutshell, Hallowe'en came and went and I managed to read a sum total of one creepy story online - although I know for a fact there were others - because my kids were already into the chocolate, and I was prepping a knight and a butterfly princess for further looting. So I sent out a request to the WebFic/WebLit community requesting that for the next big holiday season, ChristaKanzaNukkahTurkey, we get ourselves together and record a collection of festive tales, which we will then publish as public domain or Creative Commons NC for all to hear. People responded, and now that NaNoWriMo is done, the time has come.

So here we go.

Please send your seasonal tale to piers.hollott at gmail dot com, following these specifications as closely as you can manage:
  • Easy on the swears. For my kids - they may be listening.
  • 1000 words ~ 10 minutes, which is the length we are looking for.
  • If possible 256 VBR mp3 would be ideal. I would like to put the collection on Internet Archive, and because they archive a lot of live recordings, they tend to be contiguous, meaning all files in an archive are similar in nature. If you are using GarageBand on a Mac, the best bet is to use the default setting (I have no idea what this is, but it will keep all Macusers consistent).
  • Zip up your mp3 with a text version - I'll organize these as necessary, so word, text, even html are fine - not sure if I'll use them, but it would be good to make the archive searchable.
  • Please include your name as you would like to be attributed and any other supporting info you might wish to include in a separate text file.
  • Deadline Dec 18th or ASAP. I know some of you have already begun, and others have been busy with other things, so just let me know if this is a problem.
  • I'm sure I am forgetting something, so comment if you think I have omitted anything.
The only thing I know I am leaving out here is artwork, which is not essential, but if you have any ideas, let me know.

Thanks,
Piers

Wednesday, December 09, 2009

What if a Brand were a Secured Namespace for Identity?

This is in part a response to an article on @mikecane's eBook Test, titled How Book Publishing Will Lose: eBooks Vs. Smart Digital Books, but it is also something I have been trying to articulate for a while. The question that haunts me is how to separate narrative concern from brand in a published work. So, I am asking, what if a brand were a secured namespace for identity?

Namespaces are an oft-maligned and misunderstood component of the plumbing of XML based representations of information, such as XHTML, DocBook, DITA and the like. When you create an HTML page, all of the tags you use to create the page are HTML tags, so you have no need for a namespace. When you create an XHTML page, or any other XML based representation, you may use tags from more than one vocabulary, so you use namespaces, represented by URIs, to discriminate between nodes in your document.

When you use a namespace in a document, you associate it with a prefix, which is used as a placeholder for the actual URI within the document. The URI itself must be unique, and often references a collection of schema or vocabulary documents.

What I would like to suggest is that a document representation of a text could be marked up using an appropriate namespace in order to determine an appropriate brand for the markup within the document. For instance,

<xhtml
xmlns='http://www.w3.org/1999/xhtml'
xmlns:dora='https://www.dora.com'
xmlns:diego='https://www.diego.com'
xmlns:isbn='urn:ISBN:0-395-36341-6'>

<title>El Camino Grande</title>
<p property="isbn:number" content="123-456789"/>

<p>
<img src="dora:walking"/>
<span actor="dora:actor">Dora</span> and
<span actor="diego:actor" >Diego</span>
walked down the road
<img src="diego:walking"/>
</p>
is very rudimentary pseudo-code representing a description of Dora and Diego walking down the road, along with a picture of each of them doing so. This is not production code, mind you, this is merely a sketch of an idea, that the namespace used in this case securely identifies an actor, so that information such as images associated with this actor are not available unless some blessed mechanism, such as the involvement of a digital signature, is involved. More than likely, this mechanism would also involve the ISBN, since it would be unlikely that licensing an branded actor for use by a reader in one text would allow access for all texts.

So if you have the correct signature for the actor and the ISBN, you access the namespace, and you are blessed for use of the associated branding, which might be images, type-faces and so on. In the case of the pseudo-code above, you would require two signatures, one for Dora and one for Diego.

Or would you?

Well, this is where it gets interesting. What if you have secured one of the signatures, and not the other? Can you still read the text? Ostensibly, since this is pseudo-code, yes you can, if you change the namespace in the header declaration to a namespace for which you do have access; for instance, if an open-branded namespace were available, this could be used instead. In this way, if you were purchasing a book about Dora and Diego, you could pay for the entire branding, a portion of the branding, or just purchase the book itself without purchasing the branding, and rebrand the book with an open brand.

And then let the consumers decide.

So what does this all mean? I honestly believe that, as electronic publishing grows as an industry, it will become more and more necessary to separate narrative concern from commercial concern. So, what if brand were a secured namespace for identity? How would that change the industry?

Saturday, October 31, 2009

Calling all weblit-ers to the campfire...

This is going to be quick, because we are getting our costumes together, and all that. A knight and a butterfly fairy, thank you for asking. Thank you, Weblit-ers, I love all the weblit Hallowe'en fiction I have just found; but to be fair, I wish I had the time to read it all. I mean, it's Hallowe'en, and I just don't have time to Twitter or Google or Bing... so maybe I'll put on a mix tape of the "Monster Mash" or surf through channels or torrents until I can find "It's the Great Pumpkin" or something. Whatever.

And Christmas is coming up, and we need to start planning that too. And I am a Canadian, and that sort of a Canadian, so I can guarantee that, like every other Christmas, I will find myself preparing drinks or peeling potatoes or wrapping presents while listening to Stuart McClean reading "Dave Stuffs a Turkey" (okay, I'm not going to link to things, just Google if you have to).

But here is what I would like to be doing, this Christmas, or next Hallowe'en: listening to your lovely voices, Weblit-ers. Listening to your lovely voices. I think http://freeeday.wordpress.com/ is a fantastic idea, and I cannot wait, but you know what? Your voices will not be heard over the singers; but what if, what if you got out a microphone and read your stories out loud, just two stories a year, a spooky one and a jolly one, and then curated them into an easily accessible podcast? For an hour or two, while I was mixing drinks or filling bowls with candy, I could take a moment with my family, around our campfire, and share your lovely voices and stories.

And I would love that.

Tuesday, August 05, 2008

Deerhoof and Creative Commons - Offending Maggie

Reposted from O'Reilly News: Regarding "Offending Maggie"

On June 3rd, 2008, "Fresh Born", the first single from San Francisco band Deerhoof's upcoming album, was posted as sheet music under a Creative Commons license. In a few months, a full twenty versions of "Fresh Born", recorded by all and sundry, have been recorded and contributed back to the CASH Music website.