Saturday, January 08, 2011

On The Jungle Planet


This is a picture my 3-yr old drew of Amberwood Entertainment's Rob the Robot, on the Jungle Planet. At left, you can see a tiger. The planet, apparently, has frightening red eyes!

Wednesday, September 22, 2010

Ontology of Dream Landscape

A couple things I have been thinking about recently, which come together in this: even dreams typically have a location, but it is a unique quality of dreams, at least the ones I have been having lately, to feature a location in isolation, that is separated from character or context; and: in matters of taxonomy, more than three levels is seldom viable in practical terms, but two is seldom sufficient.

In the work I am currently involved in developing a financial application, I see a three-level vocabulary emerging which I have witnessed in other domains, typified as category, type and subtype.

If I was attempting to describe an ontology of dreams, therefore, I imagine I would use a category of "location", a type of location name or "realm", and a subtype describing each specific "locale" within the realm. So, for instance:

/location/a_forest/one_of_many_paths

What I would like to do is build an API, attached to a cloud storage, to allow people to describe their own dream landscapes in these terms. More on this as it develops. Please comment as you see fit.

Friday, August 27, 2010

Context, content and getting over ourselves...

I am a huge fan of Lucas Gonze's weblog, where he wrote something recently which strikes me as quite profound.
Keep music from the web in the web. Don't go to a music blog, download a track, and then listen in iTunes.
Instead, he advocates bookmarking and playing music in the page that contains it, once again returning to fundamental link between URI and resource, between index and content.

What, for that matter, is a Content Management System? The term is a necessary evil; it's not like it is meaningless. But when you use this term to refer to WordPress or Blogger, I get an uneasy feeling, and reading Gonze's comment really cemented for me the reason why. The text on the page in front of you? It's not content. It's context. The page may provide content, but it is itself a context for whatever content it provides.

More on this later, just passing around the lightbulb moment, as it were.

Wednesday, August 25, 2010

Abie and Rondo Redux

Sorry, broke the link in the last post. A better title would be "The Adventures of Abie and Rondo..." And this link should work.

Saturday, August 14, 2010

Abie and Rondo

Abie and Rondo is a serialization of children's adventures I am writing for Web Serial Writing Month this year. The premise is simple: brother and sister team Abie and Rondo travel to remote locations to right the world's wrongs. Irony abounds, and good times are had. I have recently added truly awful vector art courtesy of yours truly, along with pithy captions.

More than anything else, this is an experiment to see how much I can accomplish with very little effort, using the tools at hand (Blogger) without a great deal of modification (JavaScript hijacking the page layout). When WeSeWriMo is over, I will summarize my experience in some sort of "lessons learned" post.

Enjoy.

Wednesday, May 26, 2010

Because it's a while since I've 'blogged about Identi.ca...

Here's an idea: SourceForge is connected with a great community of open source developers; Twitter is connected with a great community of individuals, some of whom are open source developers. One of the great value propositions for me for Twitter is that rather than following an open source project, I can follow the projects creators, and receive timely information about updates, patches and the like... as long as I am actually logged into a Twitter client when the update in question is pushed out. There is a lot of noise.

Yammer is great for organizational transparency, or so I've heard from people who are using it, but it's a walled garden - I wonder what would happen if a similar approach were taken with an open source repository like SourceForge? What if an open source status network like laconi.ca were hosted and synchronized with the group of individuals with SourceForge projects? Then you could follow this entire list or a segment of this list, and get updates in a timely fashion without the background noise, or aggregate this stream into the broader stream that you might normally follow.

Might inject a bit of life into the open source community as well.

Saturday, May 15, 2010

The other side of transparency

Really quick, I just wanted to jump in and say, with regards to Facebook privacy, there is another situation that I have yet to see adequately described. The situation I am seeing described is when you publish a piece of yourself, and it goes further afield than you anticipated, ie you share photos with someone with whom you had no intention of sharing.

But consider the obverse situation, when you publish a piece of yourself to your social circle, and it is withheld for some reason from a portion of this circle because of a change in privacy setting, or confusion about the impact of the privacy settings you have selected.

In many ways, this may create more distrust in the platform, when someone in your social circle feels slighted because they did not receive the expected update. Of course, this happens with email spam filters as well as social network privacy settings. In either case, it creates an atmosphere of distrust in the platform.

Friday, May 14, 2010

Tab Sweep - 2010 05 14

Dare Obasanjo on Facebook:

Facebook’s Open Graph Protocol from a Web Developer’s Perspective

danah boyd on Facebook:

Facebook and "radical transparency" (a rant)

Not surprising that Facebook is facing criticism; I appreciate danah's demonization of transparency, and the distinction she draws between being exposed and exposing oneself. One of the things I appreciate about Twitter is that the level of exposure of any conversation I have there is dictated directly by the object graph of those involved in the conversation. If I want to curse and swear, I can engage someone in a conversation with whom this is appropriate. But there is always a risk of exposure.

Dare's point is also well taken on many levels, but particularly from my viewpoint, ontologically speaking, that Facebook is leveraging RDFa and not microformats, and that RDFa is an exponentially more robust technology specifically due to the use of namespaces. And what better way to identify arbitrary URIs as social objects than by using namespaces? In issues of transparency and privacy, it seems that disambiguation, ie clarification of social context will become increasingly important.

Reread danah's rant, especially the Zuckerburg quotes referring to the artificiality of sustaining a multiple identity. My own reaction to this is equally violent, and I call BS - all relationships in a social graph are virtualizations or supplementation of something that they are not, actual relationships. They are by definition artificial and demand disambiguation.

My travels in Flex-land keep coming back to the importance of namespaces outside the strict context of XML. Their time is coming; more widespread use of RDFa and the need for disambiguated rather than radical transparency are definitely indicative of this.

Wednesday, May 05, 2010

Seminal Granularity: I <3 the </>

It's no secret, I love me some XML, whether as an exchange format like XBRL, a messaging standard like HL7 or NIEM, or a document framework like DITA or DocBook. I am not sure what appeals to me so much about data-enrichment using tags, but it has something to do with reducing entropy by adding structure and meaning. In addition, I would rather model something using the sort of extension and restriction available in NIEM than the classical inheritance strategies presented by OOP. I have heard from several sources recently that the seachange from an object-oriented to declarative paradigm is underway, and I am pleased.

But more than this, I just love the angle brackets in a way I could never feel about dot-notation, and I am not alone in this.

I am attempting to develop a notion I am calling "Seminal Granularity." This notion appeals to my background in structuralist literary theory - "seminal" and "granular" are both agricultural references, both seeds, but whereas "seminal" has patriarchal overtones, granular is more mercurial. Between the two axes there lies a tension, bringing to mind a transclusive dilemma.

Simply stated, the transclusive dilemma is this: when faced with modifying an object, do you create a reference to the object for modification, a seminal approach which binds the new object to the original; or do you create a clone of the object, a granular approach which results in modification to the new object becoming estranged from the original, releasing the object through mimesis.

A viral licensed open-source project, for instance, is by design both seminal and granular. The project itself exists as a single seed, and it allows granular modification with the caveat that modifications are returned to the original seed.

Edit: there is also an odd kind of tie in with this short story, The Ice Box.

The transclusive dilemma is a real phenomenon; you cannot do both. Seminal granularity should be about finding ways to negotiate this problem. A wave can't be a particle either, right?

Tuesday, May 04, 2010

Talking Points: Collaboration and Documentation

A few years ago I wrote about a project I developed for my then employers, which I open sourced under the name CaseBook. The intent was to single-source end-user documentation which could be be transformed into internal and client acceptance test scripts. As I developed it, the project involved XML, Schematron, XSL and XQuery, hosted in an eXist database and accessed using webDAV.

At the time, I had barely heard of DITA, the Darwin Information Typing Architecture, but the approach I took shared some ideas with what I later came to learn about DITA, using concept maps, separation of topics into tasks and steps and so forth. In the mean time, DITA has gained a lot of traction, and my SourceForge page has been hit maybe 500 times.

I have been giving a lot of thought lately to collaborative writing. As Anne Gentle has pointed out on her JustWriteClick 'blog, DITA shines in environments which have a strong collaborative or Agile approach, since both of these emphasize timely repurposing and multipurposing. One of the problems I was addressing with CaseBook was collaboration between development, documentation and testing resources. Now, in part, this was because I was working in a small team, and had responsibilities in each of these areas.

I still think there is a lot of value in facilitating collaboration between these groups, and were I to develop this project today, I would start with the DITA Open Toolkit from day one.

In addition, for the last four months, I've been working with Flex, mxml and ActionScript. One thing that intrigues me about mxml is that it is XML. For instance, what if you could generate end user, acceptance or client walkthrough documentation automatically from the mxml source? Transforming mxml to DITA seems like a useful technique.

Any thoughts?

Sunday, March 21, 2010

Working with Flex

For the past few months (since the start of the year), I have been working with Adobe Flex, in conjunction with a Java back-end leveraging Hibernate and Spring. The application under development is basically a public sector financial package, which does not specifically require RIA features, although UX has been established as a critical success factor.

I am following a fairly straightforward path to Flex, I suppose - early work with Action Script and other Adobe technologies lead me to Ajax, and then to Prototype and JQuery, after which I spent several years mired in JSP; and now I am back working with Action Script. Plus ça change, plus c'est la même chose.

I will write more about my experience in future articles, but specifically I want to raise a couple points of interest here: as a team, we have settled on Cairngorm as an MVC framework. If anyone has any thoughts on Cairngorm and the alternatives, or thoughts about using Flex as a rapid development tool for public sector work. Also, it seems like Flex could easily become a de facto standard for certain kinds of non-RIA development because of the easy Eclipse integration, and I would love to discuss others' experience.

Please drop by and leave a comment - I have been invaded by anonymous posters!

Wednesday, February 03, 2010

Tab Sweep: 2010-02-03

Note: apologies to anyone actually reading this - I intend to collect and comment on things I come across during the week, then push the post out via Twitter on Friday. As this is a cumulative process, if the content seems light there will probably be more later. The alternative is to keep the post in draft for a while, but this seems lame.

From IBM's Smarter Planet: Education

School districts operate on tight budgets in good times, but when Pike County found their IT budgets sliced by 80%, they knew it called for drastic measures—or true blue-sky thinking.
A rural Kentucky district of 10,000 students, Pike County administrators had struggled with providing IT resources for its students, teachers and staff. Desktop computers were still running Windows 98 with failing CD and hard drives; and access to the district's portal, which houses the applications and information the students and teachers needed,was inconsistent.
Working with IBM Global Technology Services and Desktone software, the district developed a virtual desktop infrastructure delivered as a cloud service. Students now boot the existing hardware with a special CD that bypasses the operating system and connects them instead to a high-performing virtual desktop environment. This in turn links to the district's portal site with all of the tools and information they need. Pike County can double the life of its hardware—it's planning on using seven-year-old machines without sacrificing performance—while providing students, teachers and administrators with equal, transparent access to its assets.
The district estimates cost savings of 64% over five years, compared to the cost of servicing the desktops on premises.

Now, I'm a big fan of the work that Walter Bender has been doing at Sugarlabs, as far as live booting a Sugar/Fedora OS off a USB stick, and this is more of the same. A combination of live booting thin OS and cloud computing is very potent.

Another former OLPC employee, Ivan Krstic, who now works in core security at Apple, comments on martian sandtraps. I at first thought he was speaking of golf, but apparently not. Since he began working at Apple, Krstic posts infrequently, but invariably leads to spit-take.

Apparently Mike Cane is done with his eBook Test blog, declaring the Apple iPad a future contender, or something. The vision of the iPad/iStore/iBook etc is there, even if the reality is not, yet, but we can confidently say that, yes, the iPad will change the way we read. Though I'm still holding out for the new Pixel Qi technology from OLPC alumnus Mary Lou Jepsen.

From London writer Marc Nash, an excellent critique of Roberto Bolano's 2666 and the hoopla surrounding the global reading of same at #2666 on Twitter. I am taking part in this reading, but wish I had read Bolano's Savage Detectives first, simply because of 2666's sprawling nature. Comparisons with Gravity's Rainbow, Infinite Jest and Finnegans Wake seems apt, based solely on the fly-leaf and first 100 or so pages.

Nice Valentines Day Cards, from Save the Children.

Saturday, January 16, 2010

Axiom Attic: I

Somewhere between
over the sky and
under the ground
my roots lie

An axiom-tree, idiom-bird
climb climb soil
a thermal
buried deep

Thursday, December 17, 2009

Twitter-stuff: thanks for all the RT?

This is just a quick reflection on normative behaviour and a short personal declaration. I don't thank people for passing along what I have to say, and, while I don't specifically hold it against others when they do so, I do question their motivation. And I have unfollowed people for doing it excessively.

I don't use Twitter for strictly promotional purpose, and if you do, more power to you, especially if you are promoting a product or service I actually use. But I wonder, what is actually happening when you publically thank me for passing along your message? Well, yes, I am getting the thank you, and there is some reciprocation, if one or more of your subscribers decides to add me to to their subscription lists, but this is not likely, particularly if you thank a number of people in a single tweet.

Basically, what I understand when somebody thanks me for passing along a message is "thank you, please do it again" - which is all fine and good, but to be honest, if you were to come out and ask me to "plz RT" or whatever, I would be less likely to do so, and the same goes for a lot of the "thx 4 RT" I see - it makes me feel like I'm being played. So please don't bother.

If you disagree with this belief, let me know. I'm not a rude person, I thank people all the time for all sorts of things. But I'm not going to thank someone for carrying on a conversation with me.

Monday, December 14, 2009

Tab Sweep 2009-12-14

Here are some things which I have been following in the last week:

Friday, December 11, 2009

Reader, Writer, User Points: Engagement Engines

This comes as a response to an ongoing discussion at weblit.us regarding user points and reward systems for online fiction readers. Essentially, the motivation for a user points system is to increase engagement by giving readers something to achieve. The downside is that in order to implement a points system, as a writer you need to produce more, or deny some of your readership access to writing in which they would normally participate. This is problematic.

The system I am trying to sketch out here works within a larger framework that I am proposing, which I am calling an engagement engine. It works like this:

A writer begins with a blank slate, on which she can add descriptions of people, places and things. These are big categories that structure the engagement engine. As a writer, you are able to write as much as you want, but you cannot publish a new person, place or thing until the system allows you to do so - shortly after you start writing, you receive a gift (much like a gift in a social networking environment), which upon opening reveals itself to be, for instance, a place. You use this gift to breathe life into one of the locations you have already privately given a description, and this location is now available for use in your story. After you describe your location more deeply, you receive another gift, and this in turn allows you to breathe life into one of the characters you have described. Now you have a place and you have a person. You can start to really tell your story.

In an engagement engine, multiple writers are supported. This is not essential to the points and rewards system, but I honestly think this is an important component in creating a community, by creating healthy competition and collaboration. As opposed to a content management system, an content engagement system, applies many of the concepts of game-play and social networks, and these work best if they operate within and encourage a wider community.

What really drives the engagement system is the act of creating content, so as you add more content to the system, you receive more gifts, which allows you to breathe life into more people, places and things. This may seem artificial, but I am hazarding a guess that it actually plays well to a strength of many writers that I have known: they are more creative when faced with restrictions and challenges. And there is no limit on the amount of detail, narrative and dialog you can write, or the number of people, places and things you can describe - it's just that you can't actually publicly use these people, places or things until the system has allowed you to breathe life into them. Which means you will want to use your best ideas, and that is what you do anyway.

So this is where the points system comes into play. As your story is published in serial and people read it, you collect extra points from them toward the gifts you use to breathe life into your creations. So you might say "I need 50 more readers before I can add this really cool story arc," and your existing reader base have an incentive to pass the word along, because they benefit from the gifts you receive.

The more readers read a writer, the more that writer can write. This defines story arcs, and encourages reader and writer engagement in an organic fashion. This is by no means a complete description of what I am describing when I say engagement engine, but it is a start. Please feel free to leave a comment with any questions.

Thursday, December 10, 2009

Weblit-tle Town of Festivity, lend me your voice!

Hey!

Okay, look back to the start of November if you want the back story, but in a nutshell, Hallowe'en came and went and I managed to read a sum total of one creepy story online - although I know for a fact there were others - because my kids were already into the chocolate, and I was prepping a knight and a butterfly princess for further looting. So I sent out a request to the WebFic/WebLit community requesting that for the next big holiday season, ChristaKanzaNukkahTurkey, we get ourselves together and record a collection of festive tales, which we will then publish as public domain or Creative Commons NC for all to hear. People responded, and now that NaNoWriMo is done, the time has come.

So here we go.

Please send your seasonal tale to piers.hollott at gmail dot com, following these specifications as closely as you can manage:
  • Easy on the swears. For my kids - they may be listening.
  • 1000 words ~ 10 minutes, which is the length we are looking for.
  • If possible 256 VBR mp3 would be ideal. I would like to put the collection on Internet Archive, and because they archive a lot of live recordings, they tend to be contiguous, meaning all files in an archive are similar in nature. If you are using GarageBand on a Mac, the best bet is to use the default setting (I have no idea what this is, but it will keep all Macusers consistent).
  • Zip up your mp3 with a text version - I'll organize these as necessary, so word, text, even html are fine - not sure if I'll use them, but it would be good to make the archive searchable.
  • Please include your name as you would like to be attributed and any other supporting info you might wish to include in a separate text file.
  • Deadline Dec 18th or ASAP. I know some of you have already begun, and others have been busy with other things, so just let me know if this is a problem.
  • I'm sure I am forgetting something, so comment if you think I have omitted anything.
The only thing I know I am leaving out here is artwork, which is not essential, but if you have any ideas, let me know.

Thanks,
Piers

Wednesday, December 09, 2009

What if a Brand were a Secured Namespace for Identity?

This is in part a response to an article on @mikecane's eBook Test, titled How Book Publishing Will Lose: eBooks Vs. Smart Digital Books, but it is also something I have been trying to articulate for a while. The question that haunts me is how to separate narrative concern from brand in a published work. So, I am asking, what if a brand were a secured namespace for identity?

Namespaces are an oft-maligned and misunderstood component of the plumbing of XML based representations of information, such as XHTML, DocBook, DITA and the like. When you create an HTML page, all of the tags you use to create the page are HTML tags, so you have no need for a namespace. When you create an XHTML page, or any other XML based representation, you may use tags from more than one vocabulary, so you use namespaces, represented by URIs, to discriminate between nodes in your document.

When you use a namespace in a document, you associate it with a prefix, which is used as a placeholder for the actual URI within the document. The URI itself must be unique, and often references a collection of schema or vocabulary documents.

What I would like to suggest is that a document representation of a text could be marked up using an appropriate namespace in order to determine an appropriate brand for the markup within the document. For instance,

<xhtml
xmlns='http://www.w3.org/1999/xhtml'
xmlns:dora='https://www.dora.com'
xmlns:diego='https://www.diego.com'
xmlns:isbn='urn:ISBN:0-395-36341-6'>

<title>El Camino Grande</title>
<p property="isbn:number" content="123-456789"/>

<p>
<img src="dora:walking"/>
<span actor="dora:actor">Dora</span> and
<span actor="diego:actor" >Diego</span>
walked down the road
<img src="diego:walking"/>
</p>
is very rudimentary pseudo-code representing a description of Dora and Diego walking down the road, along with a picture of each of them doing so. This is not production code, mind you, this is merely a sketch of an idea, that the namespace used in this case securely identifies an actor, so that information such as images associated with this actor are not available unless some blessed mechanism, such as the involvement of a digital signature, is involved. More than likely, this mechanism would also involve the ISBN, since it would be unlikely that licensing an branded actor for use by a reader in one text would allow access for all texts.

So if you have the correct signature for the actor and the ISBN, you access the namespace, and you are blessed for use of the associated branding, which might be images, type-faces and so on. In the case of the pseudo-code above, you would require two signatures, one for Dora and one for Diego.

Or would you?

Well, this is where it gets interesting. What if you have secured one of the signatures, and not the other? Can you still read the text? Ostensibly, since this is pseudo-code, yes you can, if you change the namespace in the header declaration to a namespace for which you do have access; for instance, if an open-branded namespace were available, this could be used instead. In this way, if you were purchasing a book about Dora and Diego, you could pay for the entire branding, a portion of the branding, or just purchase the book itself without purchasing the branding, and rebrand the book with an open brand.

And then let the consumers decide.

So what does this all mean? I honestly believe that, as electronic publishing grows as an industry, it will become more and more necessary to separate narrative concern from commercial concern. So, what if brand were a secured namespace for identity? How would that change the industry?

Prepare for Parallax: Files in the Cloud

Following up on a conversation with a co-worker this morning, something struck me as obvious. One of the things Sugar OS handles really well (either as sugar-on-a-stick or on the OLPC XO laptop) is simplifying the file/resource paradigm to make it consumable by children, by basing access on chronology rather than hierarchy, reminiscent of a search engine rather than a file system. Also, on Sugar you work with activities rather than files.

What struck me recently is that on the one hand, movement towards a cloud OS reflects a shift in consumer tastes from tasks like email (where you attach files in order to share) to social networking (where you pass around links and participate in activities in order to share), so when somebody asks me, in the context of a cloud OS, "but how will you be able to locate your files?" my initial reaction is this: either chronologically, or collaboratively (or possibly spatially, but that is a separate issue).

Think about it this way: was the document or picture I am trying to find something I touched recently? That should make it easy to find. No? Is it something I shared or created with another person or group of people? That narrows the field. As I add in more relationships with people who may have come in contact with the activity in question, I have fewer and fewer activities to sift through.

I think the desktop of the future will not be a desktop at all, it will be more like a shared light-box, emphasizing transparency. In order to find something again easily, you must give it relevance, and the best way you can do this is to share it, to make it available to the people with whom you already have instantiated relevant relationships.

Far more intriguing to me, while at the same time quite far out, is the idea of a spatial desktop, where the first question you ask when you want to locate a particular item is where was I? Where was I when I took the picture? Did I participate in this activity at work, on a plane, at home, in the living room or in the dining room? On the one hand, this sort of information might not be readily available for many activities, but if it were, how quickly would that narrow the field if you could recall your location when you took that picture?

The advantage of this approach is obvious as well. If you can't locate the actual picture, you can ask who else was there? Be prepared for parallax.

Monday, November 23, 2009

Twitter Retweet Follow/Unfollow

I really have only one thing to add to the ongoing discussion of the new Twitter Retweet integration, other than the obvious, that I use a third party client so I don't really care.

I am noticing that when somebody in my network retweets somebody who is not in my network from the Twitter home page, I see:
  1. the retweet,
  2. a message telling me "Wondering who this is? Someone you follow thought this was worth retweeting, which is why you are seeing it in your Home timeline."
Is this valuable? Perhaps! The obvious reason is that I may want to follow the person who is being retweeted... but the more obtuse value? I may want to unfollow the person who is doing the retweeting, based on the people with whom they keep company. This may actually be more valuable to me in the long run.

If Twitter gave me the option to follow the person I am not following, or unfollow the person I am following, I would absolutely love this feature.